So you think you are good enough to go before Randy, Paula, Kara, and Simon? Before you try you need to prepare in advance and not rely on a silly gimmick like a costume, make-up, revealing clothing, etc. However if you feel that you don't have a chance and merely want to be on the audition reel of crazy contestants then by all means dress and look insane and sound atrocious for the audition.
When I sit down with my family during the first few weeks of American Idol auditions I realize this is my favorite part of the show's several months journey to crown the newest American Idol. Because I am a music industry professional I recognize the different levels of talent and all the shades in between. I have worked with many talented singers along with a few stinkers along the way. But I would have to say not even the worst singers I have ever worked with came close to the stink some of these auditioner's put out. Surely these people know they absolutely SUCK!! But as I mentioned in the first paragraph they are probably looking for their 15 seconds of fame because gaining 15 minutes of fame is far more difficult when so many are competing for it these days.
So if you really desire to have the strongest audition for a show like A.I. you need to do a few simple things that will help you decide whether or not you are ready to audition. First off you need to hear what you sound like and even look like while you sing. Put yourself in front of a video camera and simply sing acapella (meaning voice only - no instrumental accompaniment) a song that you might audition with. What will this do for you? Well first you will see if you have any visual tics that may be distracting like eye movement, hand movement, body language, etc. You can be a good singer but if your eyes go cross when you sing you will probably not go to Hollywood. Also wear clothing that you would wear for an audition like A.I. too! Remember that dressing hip does not necessarily mean trashy either.
The video tape of you doing a mock audition will also let you hear how you sound. Now you might not think you sound great but you should not be the judge of that, nor should your friends and especially your family. I suggest you put it on youtube.com and let the world see you. After a few weeks you can check back and see if anyone commented on your audition. Does that mean you should simply go off what these people think of you? Well no - you should however take it into context of what you may already know about your voice from family and friends. Remember your mother will always love your voice - she's not going to tell you that your voice causes diarrhea.
If your responses are good and they strongly coincide with others opinion of your voice it maybe time for you to mark your calendar for when the next idol audition is in town. However you must remember the judges are only accepting 20 people out of 10,000 or roughly 1 per 500 auditions. These are not encouraging odds.
Good luck and maybe I'll see you on American Idol. If my advice has helped you go to Hollywood with A.I. drop me an email and I'll be the first congratulate you!
Richard Kearney is a highly accomplished Radio & TV Music Writer and Producer. Mr. Kearney has composed over 500 pieces of ad music from jingles to scores and produced nearly 1,000 more. You may contact him via email after3pm@gmail.com or his website http://www.after3pmmusic.com
Saturday, July 17, 2010
Learn How to Sing Software - Online Learning
We live in a vastly different age to twenty, ten or even five years ago as the internet and the computer age has changed how we access information, purchase products and how we learn too. Learn to sing software is a very good example of this change in learning as before you would need a proper singing coach to teach you singing techniques and give you the singing tips you need to become a great vocalist.
Now times have changed, the sophistication of information access and quality of the tools that a digital singing software program can bring to the table is enough to be able to cover all those vocal techniques you would have been taught by a singing tutor along with many more advances like digital keyboards, recording software and other gizmos that allow you to comprehensively learn the basics or refine your voice if you are already competent.
The other advantages that are provided include:
The cost of a good learn to sing software program is far less than weeks of one on one singing lessons.
You can learn whenever you want not just when a coach has time.
A combination visual, audio and text media including animations help ever kind of learner.
You can choose to learn fast or slow, you can also retake your lessons whenever you want.
If you live in remote areas without any singing teachers around this can be your only and best option
With these advantages and options it is small wonder online learning is becoming more and more popular in a busy world that demands entertaining, consuming and learning on demand.
So if you are interested in learn to sing software click below for reviews of the best singing software on the net to find out which program might suit your needs best.
Now times have changed, the sophistication of information access and quality of the tools that a digital singing software program can bring to the table is enough to be able to cover all those vocal techniques you would have been taught by a singing tutor along with many more advances like digital keyboards, recording software and other gizmos that allow you to comprehensively learn the basics or refine your voice if you are already competent.
The other advantages that are provided include:
The cost of a good learn to sing software program is far less than weeks of one on one singing lessons.
You can learn whenever you want not just when a coach has time.
A combination visual, audio and text media including animations help ever kind of learner.
You can choose to learn fast or slow, you can also retake your lessons whenever you want.
If you live in remote areas without any singing teachers around this can be your only and best option
With these advantages and options it is small wonder online learning is becoming more and more popular in a busy world that demands entertaining, consuming and learning on demand.
So if you are interested in learn to sing software click below for reviews of the best singing software on the net to find out which program might suit your needs best.
How to Start Your Own Band
Every once in awhile a guitar student will express a desire to be in a band someday.If this is your ambition too, then read on. Whether you're a guitar player or not doesn't really matter. If you are a talented singer or musician then the question is, do YOU want to be in a band? In this article you will find some helpful ideas on how to get started in that direction.
One of the first things you will need to do is gain EXPOSURE for yourself. This can be as easy as following three simple steps:
1. Tell everyone you know that you want to start a band.(Word of mouth advertising is one of the best advertising strategies)
2. Make a flyer to put up around town (in music stores, at schools, on bulletin boards, etc.)
3. Place a classified ad in all the local newspapers
Here is an example of something you might say in your advertising:
"Lead guitarist seeking individuals interested in starting a Christian Rock band. Looking for a lead vocalist, rhythm guitarist, bass guitarist and drummer. The emphasis will be on sharing the gospel of Jesus Christ through music. If you have a desire to use your musical gifts in this way, please call (give your name and phone number) for an interview."
You can make the ad as detailed or generic as you need to. The important thing is to have a clear idea in your own mind of who you want in your band. Do you need a bass player, singer, drummer...? What type of qualifications or experience will you expect? Is age a factor? Jot down a list of questions to ask and keep it by your phone. When someone does call, you will be ready to have the interview right on the spot. Try to make your questions require only a very short reply, or yes or no answer. That way, it will be easier for you to take notes. If someone looks like a good potential band mate, get their phone number and tell them you would like to call them back after you are through holding your interviews. Try not to keep people waiting too long (between 2-4 weeks) if possible. When you're ready, review your notes and decide who you want to call. Set up a time that is convenient for everyone you've selected to meet at YOUR CHOSEN LOCATION. This is important if you want to establish yourself as the originator of the band in order to maintain an influence on its direction. I should insert a word of caution here. You might want to "play it safe" by not inviting them to your home until after you get to know them a little better. After all, they are strangers, but it's your call of course.
You may want to keep the first meeting with your new band members very low key. Use the time to make introductions, share past experiences, set goals, discuss ideas, etc. This will give you the opportunity to gauge whether you think each personality is going to be able to work together and get along. Avoid egocentric people like the plague as they will just create friction with other members of the band. Assess everyone fairly, but realistically. It's better to get rid of a bad apple right away, rather than allow them to spoil the enthusiasm for the rest of the group.
After your first band meeting, you can aim for the next one to be an informal "jam" session. At this time you will be able to get a feel for whether the group is going to gel or not. But don't be too hasty in your decisions! I remember one time "auditioning" for a band and being so self-conscious that I just couldn't relax and enjoy the experience. It was a local band that I had known of for some years and often desired to be a part of. Even though I had already acquired quite a bit of experience performing on my own, this was different. It was someone else's "thing". Nothing seemed to go right! After I got home that evening, I was sure they would never call me back. The surprise was, they did! However, the second time wasn't much better, but they decided to give me another chance and invited me to come back one more time. It's a good thing for me, because the third time was the charm. Our voices and music blended so perfectly that I just knew I was in. I share this story so that you might give your new fledgling band some time to get off the ground. If nothing seems to ignite a spark after giving it a fair amount of time, then you might want to reconsider your options. That's something only you will be able to determine.
Well, that's about all there is to it really. Once you've got your band members picked, you're ready to start making music! If you have some original tunes, be sure to share them with the others. See if anyone else in the group has written any songs too. Be open, honest and ready for almost anything. If you establish your own priorities first, it will help you to stay focused through whatever ups and downs may come along. And always remember, "Nothing ventured, nothing gained."
FREE Reprint Rights - You may publish this article in your e-zine or on your web site as long as you include the following information:
Kathy Unruh is a singer/songwriter and webmaster of ABC Learn Guitar. She has been writing songs and providing guitar lessons to students of all ages for over 20 years. For free guitar lessons, plus tips and resources on songwriting, recording and creating a music career, please visit: http://www.abclearnguitar.com
One of the first things you will need to do is gain EXPOSURE for yourself. This can be as easy as following three simple steps:
1. Tell everyone you know that you want to start a band.(Word of mouth advertising is one of the best advertising strategies)
2. Make a flyer to put up around town (in music stores, at schools, on bulletin boards, etc.)
3. Place a classified ad in all the local newspapers
Here is an example of something you might say in your advertising:
"Lead guitarist seeking individuals interested in starting a Christian Rock band. Looking for a lead vocalist, rhythm guitarist, bass guitarist and drummer. The emphasis will be on sharing the gospel of Jesus Christ through music. If you have a desire to use your musical gifts in this way, please call (give your name and phone number) for an interview."
You can make the ad as detailed or generic as you need to. The important thing is to have a clear idea in your own mind of who you want in your band. Do you need a bass player, singer, drummer...? What type of qualifications or experience will you expect? Is age a factor? Jot down a list of questions to ask and keep it by your phone. When someone does call, you will be ready to have the interview right on the spot. Try to make your questions require only a very short reply, or yes or no answer. That way, it will be easier for you to take notes. If someone looks like a good potential band mate, get their phone number and tell them you would like to call them back after you are through holding your interviews. Try not to keep people waiting too long (between 2-4 weeks) if possible. When you're ready, review your notes and decide who you want to call. Set up a time that is convenient for everyone you've selected to meet at YOUR CHOSEN LOCATION. This is important if you want to establish yourself as the originator of the band in order to maintain an influence on its direction. I should insert a word of caution here. You might want to "play it safe" by not inviting them to your home until after you get to know them a little better. After all, they are strangers, but it's your call of course.
You may want to keep the first meeting with your new band members very low key. Use the time to make introductions, share past experiences, set goals, discuss ideas, etc. This will give you the opportunity to gauge whether you think each personality is going to be able to work together and get along. Avoid egocentric people like the plague as they will just create friction with other members of the band. Assess everyone fairly, but realistically. It's better to get rid of a bad apple right away, rather than allow them to spoil the enthusiasm for the rest of the group.
After your first band meeting, you can aim for the next one to be an informal "jam" session. At this time you will be able to get a feel for whether the group is going to gel or not. But don't be too hasty in your decisions! I remember one time "auditioning" for a band and being so self-conscious that I just couldn't relax and enjoy the experience. It was a local band that I had known of for some years and often desired to be a part of. Even though I had already acquired quite a bit of experience performing on my own, this was different. It was someone else's "thing". Nothing seemed to go right! After I got home that evening, I was sure they would never call me back. The surprise was, they did! However, the second time wasn't much better, but they decided to give me another chance and invited me to come back one more time. It's a good thing for me, because the third time was the charm. Our voices and music blended so perfectly that I just knew I was in. I share this story so that you might give your new fledgling band some time to get off the ground. If nothing seems to ignite a spark after giving it a fair amount of time, then you might want to reconsider your options. That's something only you will be able to determine.
Well, that's about all there is to it really. Once you've got your band members picked, you're ready to start making music! If you have some original tunes, be sure to share them with the others. See if anyone else in the group has written any songs too. Be open, honest and ready for almost anything. If you establish your own priorities first, it will help you to stay focused through whatever ups and downs may come along. And always remember, "Nothing ventured, nothing gained."
FREE Reprint Rights - You may publish this article in your e-zine or on your web site as long as you include the following information:
Kathy Unruh is a singer/songwriter and webmaster of ABC Learn Guitar. She has been writing songs and providing guitar lessons to students of all ages for over 20 years. For free guitar lessons, plus tips and resources on songwriting, recording and creating a music career, please visit: http://www.abclearnguitar.com
How to Play the Piano - You Have to Practice Scales and Arpeggios!
Don't live in a "fools paradise!"
You have to practice Scales and Arpeggios to Play ANY Style of Music!
Let me tell you a short story...
In the late 70's, between semesters while in College, I would hang out at a popular night club in Washington DC called The Mark IV.
This club would bring in popular R & B "recorded" vocal acts... The Spinners, The Main Ingredient, The Whispers, The Stylistics... just to name a few.
I was a Percussion major at that time, and would love to go and hear the acts because I would enjoy watching and learning from the drummers!
Often during the group's break, I would venture back stage and talk to the musicians and vocalists. This one evening, and I've forgotten the group's name, but they were performing and their back-up band was so funky!
I mean this group really sounded great! Now understand, this was a pre-dominantly African-American Night Club that featured the "hottest" Rhythm & Blues acts at that time.
I couldn't wait for the group's break, so I could talk to the drummer. During the break... I happened to notice the drummer sitting at the bar. I strolled over to him and asked if I could sit next to him, while expressing my praise for his drumming ability... "how did you get so funky?"... "man you're unbelievable!"... "what do you practice daily?"... "what do you recommend I do?"... and so on and so forth.
The drummer was so cool... He happened to be an American Caucasian, with long hair and a full beard.
He looked like a very young College professor, sipping his tea and smoking his pipe, just staring ahead.
He didn't immediately respond. After about 6 or 7 seconds, he turned to me and said smilingly, "rudiments!"
Now if you don't know what rudiments are... they are basically 26 rudiments (drumming patterns) that a drum student should master.
They're basically "scales" for drummers. They are a combination of "single-stroke" and "double-stroke" patterns!
After his response, I smiled and thanked him, but was honestly disappointed because I thought he would share some "magic" formula daily practice scheme.
The moral of the story...
There isn't a magic bullet or formula to play ANY musical instrument.
To be able to play any style of music on the piano, be it: Jazz, Soul, Hip-Hop, Rock, Pop, Blues... etc. you have to at least be familiar with scales and arpeggios.
Those "self-taught" folks that play instruments well, learned how to play scales and/or arpeggios smoothly enough to be able to invent their own SOUND!
If you want to really start playing, you should start learning to master the scales and arpeggios.
I mean you should be able to play a scale 2 or more octaves. The optimum range is 4 octaves... each hand separately!
This is the only way you will be able to identify the problem areas in your fingering, and develop endurance to play effortlessly.
A word of caution... If anyone says to you, "you don't need to practice scales..."
Run away as fast as you can, because they don't know what the "heck" they're talking about!
To your success,
You have to practice Scales and Arpeggios to Play ANY Style of Music!
Let me tell you a short story...
In the late 70's, between semesters while in College, I would hang out at a popular night club in Washington DC called The Mark IV.
This club would bring in popular R & B "recorded" vocal acts... The Spinners, The Main Ingredient, The Whispers, The Stylistics... just to name a few.
I was a Percussion major at that time, and would love to go and hear the acts because I would enjoy watching and learning from the drummers!
Often during the group's break, I would venture back stage and talk to the musicians and vocalists. This one evening, and I've forgotten the group's name, but they were performing and their back-up band was so funky!
I mean this group really sounded great! Now understand, this was a pre-dominantly African-American Night Club that featured the "hottest" Rhythm & Blues acts at that time.
I couldn't wait for the group's break, so I could talk to the drummer. During the break... I happened to notice the drummer sitting at the bar. I strolled over to him and asked if I could sit next to him, while expressing my praise for his drumming ability... "how did you get so funky?"... "man you're unbelievable!"... "what do you practice daily?"... "what do you recommend I do?"... and so on and so forth.
The drummer was so cool... He happened to be an American Caucasian, with long hair and a full beard.
He looked like a very young College professor, sipping his tea and smoking his pipe, just staring ahead.
He didn't immediately respond. After about 6 or 7 seconds, he turned to me and said smilingly, "rudiments!"
Now if you don't know what rudiments are... they are basically 26 rudiments (drumming patterns) that a drum student should master.
They're basically "scales" for drummers. They are a combination of "single-stroke" and "double-stroke" patterns!
After his response, I smiled and thanked him, but was honestly disappointed because I thought he would share some "magic" formula daily practice scheme.
The moral of the story...
There isn't a magic bullet or formula to play ANY musical instrument.
To be able to play any style of music on the piano, be it: Jazz, Soul, Hip-Hop, Rock, Pop, Blues... etc. you have to at least be familiar with scales and arpeggios.
Those "self-taught" folks that play instruments well, learned how to play scales and/or arpeggios smoothly enough to be able to invent their own SOUND!
If you want to really start playing, you should start learning to master the scales and arpeggios.
I mean you should be able to play a scale 2 or more octaves. The optimum range is 4 octaves... each hand separately!
This is the only way you will be able to identify the problem areas in your fingering, and develop endurance to play effortlessly.
A word of caution... If anyone says to you, "you don't need to practice scales..."
Run away as fast as you can, because they don't know what the "heck" they're talking about!
To your success,
You Can Learn How to Sing Without Cracking
One of the hardest things for most vocalists to tackle is dealing with the health of their throat. This is especially true for singers who suddenly find themselves singing often. Just keeping their vocal cords in good enough shape to hit the notes can be very difficult. You can learn how to sing without cracking, but you need to be prepared to put in the work to keep yourself health.
The most important part of keeping your vocal cords happy is keeping them moisturized. It sounds crazy, but your throat needs lubrication in order to create those beautiful noises. If you want to stop cracking while singing, then you need to drink plenty of water. Many vocalists will also drink a lot of herbal tea (without caffeine) and often mix it with honey. This lubricates the throat, making it easier to sing more for longer.
There is more to singing, of course, than just the throat. Your entire body should really be in shape. Mick Jagger, although not the most accomplished vocalist, was able to keep his voice from breaking down through years and years of touring by working out on the road. He would run and sing, simultaneously, so that when he got on stage, he could prance around, dance, and never run out of breath. He could continue to tour well into his 60s, just because he took such good care of his vocal cords and his body during his middle age years on the road.
If you want to know how to sing without cracking, the key is to take care of yourself. By keeping your body healthy and well-hydrated, your voice is less likely to let you down. Remember to use your entire body when you sing and don't make rough, harsh sounds unless you absolutely have to.
The most important part of keeping your vocal cords happy is keeping them moisturized. It sounds crazy, but your throat needs lubrication in order to create those beautiful noises. If you want to stop cracking while singing, then you need to drink plenty of water. Many vocalists will also drink a lot of herbal tea (without caffeine) and often mix it with honey. This lubricates the throat, making it easier to sing more for longer.
There is more to singing, of course, than just the throat. Your entire body should really be in shape. Mick Jagger, although not the most accomplished vocalist, was able to keep his voice from breaking down through years and years of touring by working out on the road. He would run and sing, simultaneously, so that when he got on stage, he could prance around, dance, and never run out of breath. He could continue to tour well into his 60s, just because he took such good care of his vocal cords and his body during his middle age years on the road.
If you want to know how to sing without cracking, the key is to take care of yourself. By keeping your body healthy and well-hydrated, your voice is less likely to let you down. Remember to use your entire body when you sing and don't make rough, harsh sounds unless you absolutely have to.
How to Learn to Sing - Developing Your Voice
Becoming a vocalist requires more than a good ear for music, vocal talent and singing in tune. Considering that there are various styles a vocalist might choose for their singing genre, i.e., classical, opera, blues, jazz, contemporary rock and country to name a few, training in each of these becomes diverse.
Singing solo, for example, requires a different method of training than a vocalist who aspires to sing with a choir. the first objective for any vocalist is to sing with skill and talent that results in a pleasing form of entertainment for singer and audience alike.
The first matter at hand is determining whether a vocalist is soprano, alto, tenor or bass. Determining one's vocal tone is crucial in order to define vocal range and quality, particularly when singing in groups or a choir. Accompanying music should always be in the vocalist's singing range to avoid too high a pitch and vocal strain.
Once a singer determines the vocal tone, instruction in reading vocal sheet music is also important. Knowing how to read musical notes, tempo, and key is crucial if a singer intends to become a professional or sings in groups. Correct pronunciation of lyrics as well as proper breathing during vocalizing are necessary factors in performance.
Singers are taught to enunciate properly so that lyrics are clearly understandable. Learning to breathe from the diaphragm is important when attempting to hold certain notes of a song. Many vocal instructors consider this aspect of instruction the most important part of vocal lessons. Instructors offer various types of breathing exercises so the student becomes acclimated to deep breathing from the diaphragm. Singers find that once this is mastered, the tone and quality of their vocalizing is positively affected. Singing instruction should also develop individual style and enhance vocal technique so that, if desired, the singer may develop virtuosity.
Another area of instruction is performance. Good vocal instruction will provide a range of performance style and lyric delivery....Singing "to" their audiences, rather than "at" them.
Learning to sing, even for one's own satisfaction, has all the potential for a sense of achievement and mastery, using voice as the only instrument. Though it can be said that many individuals are born with a naturally beautiful singing voice, one's own desire is really all that's necessary to develop the voice to the levels of perfection. Most singers have a signature style that is recognizable from the moment a few words of lyrics are sung. The difference in styles between Frank Sinatra and Peggy Lee or Luciano Pavarotti and Josh Groben are examples of instantly recognizable voices.
Singing solo, for example, requires a different method of training than a vocalist who aspires to sing with a choir. the first objective for any vocalist is to sing with skill and talent that results in a pleasing form of entertainment for singer and audience alike.
The first matter at hand is determining whether a vocalist is soprano, alto, tenor or bass. Determining one's vocal tone is crucial in order to define vocal range and quality, particularly when singing in groups or a choir. Accompanying music should always be in the vocalist's singing range to avoid too high a pitch and vocal strain.
Once a singer determines the vocal tone, instruction in reading vocal sheet music is also important. Knowing how to read musical notes, tempo, and key is crucial if a singer intends to become a professional or sings in groups. Correct pronunciation of lyrics as well as proper breathing during vocalizing are necessary factors in performance.
Singers are taught to enunciate properly so that lyrics are clearly understandable. Learning to breathe from the diaphragm is important when attempting to hold certain notes of a song. Many vocal instructors consider this aspect of instruction the most important part of vocal lessons. Instructors offer various types of breathing exercises so the student becomes acclimated to deep breathing from the diaphragm. Singers find that once this is mastered, the tone and quality of their vocalizing is positively affected. Singing instruction should also develop individual style and enhance vocal technique so that, if desired, the singer may develop virtuosity.
Another area of instruction is performance. Good vocal instruction will provide a range of performance style and lyric delivery....Singing "to" their audiences, rather than "at" them.
Learning to sing, even for one's own satisfaction, has all the potential for a sense of achievement and mastery, using voice as the only instrument. Though it can be said that many individuals are born with a naturally beautiful singing voice, one's own desire is really all that's necessary to develop the voice to the levels of perfection. Most singers have a signature style that is recognizable from the moment a few words of lyrics are sung. The difference in styles between Frank Sinatra and Peggy Lee or Luciano Pavarotti and Josh Groben are examples of instantly recognizable voices.
How to Become a Vocalist - 5 Tips to Guarantee Your Singing Success
There is one musical profession that is almost guaranteed to get you stares of amazement and admiration when you mention it - the vocalist. No matter whether you want to be a rock band singer or achieve fame with a solo career, the important thing is not losing track of what truly matters. As an experienced singer myself, I'll share with you a few tips on what makes a great singer - and how to become a vocalist yourself.
Tip One: Get singing lessons. It seems like an obvious thing to do, but looking at the masses of people who think they can sing - when they actually don't! - it's worth emphasizing. A good vocal coach will help you hit the right notes and ensure that you're using your vocal chords correctly. If you're looking for some advice on singing lessons, check out the resource box below!
Tip Two: Get experience. Again, for many this is obvious, but I just want to make sure you guys are on the right track! What I mean is - go out there and start singing! Whether it's at your cousin's birthday party or joining a local band, what matters most is that you get experience. Not only will it help you to become a better singer, it will also relieve psychological tension and/or embarrassment over time.
Tip Three: Get advice. If you're not ready yet to become an active singer, or even if you are, you should try to see and hear as many other singers as possible. Watch closely - what makes them good singers? How are they controlling their voice? How are they making use of their stage presence? Go and ask them after a show. Once you've got a good idea of good and bad, you'll know how to become a vocalist yourself.
Tip Four: Get yourself recorded. In accordance with Tip Three, this is important. You'll only know how your voice really sounds - how good your performance is - when you record yourself. Do this frequently! Send your recordings to friends, relatives, etc. and ask what they think of it. Additionally, it's a great way to keep track of your progress. Listening to a months-old tape can be eye-opening!
Tip Five: Don't give up! No matter how frustrating it is, whether you think you're making no success at all or whether you've been harshly criticized. The key is to persist. That's how all the other vocalists got famous too! Try to make the most out of negative comments and improve yourself. Then you can succeed.
And now to our little secret advice...it's what all the famous vocalists are doing! Find a few warm-up exercises for your vocal chords (you can find them in the site mentioned in the resource box), and then do them whenever you have time - while watching TV, while cooking, etc.! This is simply an amazing way to train your voice all day even if you're not actually singing.
I hope these tips were hopeful to you readers - here's to your success!
For fantastic beginner's singing lessons including great warm-up exercises, just check out this great page on how to become a vocalist! This website delivers what so many others only promise - telling you how to become a vocalist from the very very beginning. It will literally show you how to unleash your vocal potential!
Tip One: Get singing lessons. It seems like an obvious thing to do, but looking at the masses of people who think they can sing - when they actually don't! - it's worth emphasizing. A good vocal coach will help you hit the right notes and ensure that you're using your vocal chords correctly. If you're looking for some advice on singing lessons, check out the resource box below!
Tip Two: Get experience. Again, for many this is obvious, but I just want to make sure you guys are on the right track! What I mean is - go out there and start singing! Whether it's at your cousin's birthday party or joining a local band, what matters most is that you get experience. Not only will it help you to become a better singer, it will also relieve psychological tension and/or embarrassment over time.
Tip Three: Get advice. If you're not ready yet to become an active singer, or even if you are, you should try to see and hear as many other singers as possible. Watch closely - what makes them good singers? How are they controlling their voice? How are they making use of their stage presence? Go and ask them after a show. Once you've got a good idea of good and bad, you'll know how to become a vocalist yourself.
Tip Four: Get yourself recorded. In accordance with Tip Three, this is important. You'll only know how your voice really sounds - how good your performance is - when you record yourself. Do this frequently! Send your recordings to friends, relatives, etc. and ask what they think of it. Additionally, it's a great way to keep track of your progress. Listening to a months-old tape can be eye-opening!
Tip Five: Don't give up! No matter how frustrating it is, whether you think you're making no success at all or whether you've been harshly criticized. The key is to persist. That's how all the other vocalists got famous too! Try to make the most out of negative comments and improve yourself. Then you can succeed.
And now to our little secret advice...it's what all the famous vocalists are doing! Find a few warm-up exercises for your vocal chords (you can find them in the site mentioned in the resource box), and then do them whenever you have time - while watching TV, while cooking, etc.! This is simply an amazing way to train your voice all day even if you're not actually singing.
I hope these tips were hopeful to you readers - here's to your success!
For fantastic beginner's singing lessons including great warm-up exercises, just check out this great page on how to become a vocalist! This website delivers what so many others only promise - telling you how to become a vocalist from the very very beginning. It will literally show you how to unleash your vocal potential!
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